Amid the seeming confusion of our mysterious world, individuals are so nicely adjusted to a system, and systems to one another and to a whole, that, by stepping aside for a moment, a man exposes himself to a fearful risk of losing his place forever....he may become, as it were, the Outcast of the Universe.
— Nathaniel Hawthorne, “Wakefield”
☼
Like us, she says, she stands within a ring,Think up a Merry Wanderer, not even resigned to but delighted by his fate, Dirty Rascal to Mary Poppins ' King of the Castle. He carries a basket of keys, hands them out to all he meets. If you ask him if he’s tried them out himself, you will get the most frustrating answers. Some of them, perhaps, here and there. Will he give you a key? Surely, take as many as you like.
And here is a puzzle on which you may try keys (those I’ve given you and any others you might happen to possess, not to mention lock picks): do the keys' doors lead In — or Out? Most probably George MacDonald, the author of the conversation that follows, has solved the puzzle, but he likes riddles even better than I (I would say most doors do both, in different senses, but I suspect he has a deeper answer than that! Surprise me, tell me what you discover!):
“I did not come through any door,” I rejoined.
“I saw you come through it! — saw you with my own ancient eyes!” asserted the raven, positively but not disrespectfully.
“I never saw any door!” I persisted.
“Of course not!” he returned; “all the doors you had yet seen — and you haven’t seen many — were doors in; here you came upon a door out! The strange thing to you,” he went on thoughtfully, “will be, that the more doors you go out of, the farther you get in!”
“Oblige me by telling me where I am.”
“That is impossible. You know nothing about whereness. The only way to come to know where you are is to begin to make yourself at home.”
“How am I to begin that where everything is so strange?”
“By doing something.”
“What?”
“Anything; and the sooner you begin the better! for until you are at home, you will find it as difficult to get out as it is to get in.”
“I have, unfortunately, found it too easy to get in; once out I shall not try again!”
“You have stumbled in, and may, possibly, stumble out again. Whether you have got in UNFORTUNATELY remains to be seen.”
“Do you never go out, sir?”
“When I please I do, but not often, or for long. Your world is such a half-baked sort of place, it is at once so childish and so self-satisfied — in fact, it is not sufficiently developed for an old raven — at your service!”
“Am I wrong, then, in presuming that a man is superior to a bird?”
“That is as it may be. We do not waste our intellects in generalising, but take man or bird as we find him. — I think it is now my turn to ask you a question!”
“You have the best of rights,” I replied, “in the fact that you CAN do so!”
“Well answered!” he rejoined. “Tell me, then, who you are — if you happen to know.”
“How should I help knowing? I am myself, and must know!”
“If you know you are yourself, you know that you are not somebody else; but do you know that you are yourself? Are you sure you are not your own father? — or, excuse me, your own fool? — Who are you, pray?”
I became at once aware that I could give him no notion of who I was. Indeed, who was I? It would be no answer to say I was who! Then I understood that I did not know myself, did not know what I was, had no grounds on which to determine that I was one and not another. As for the name I went by in my own world, I had forgotten it, and did not care to recall it, for it meant nothing, and what it might be was plainly of no consequence here. I had indeed almost forgotten that there it was a custom for everybody to have a name! So I held my peace, and it was my wisdom; for what should I say to a creature such as this raven, who saw through accident into entity?
“Look at me,” he said, “and tell me who I am.”
As he spoke, he turned his back, and instantly I knew him. He was no longer a raven, but a man above the middle height with a stoop, very thin, and wearing a long black tail-coat. Again he turned, and I saw him a raven.
Winter killed everything—say a Someone is dead and will never return, every mid-level executive and seahorse and primrose that ever died, and also the past in its entirety.
Winter is the time of sleep and dream, at least if you’re a bear...Say a Someone is asleep, Mother Nature or Sleeping Beauty. And we’re her dream, her mushy boring lifeless dream. Dreams are Out. She is In.
Though—I do not know if the Wanderer is a dream of the Sleeper or if the Sleeper is a metaphor for the Wanderer. I do not know that the two are mutually exclusive.
The Wanderer may be Jennie. She may be called Perdita (or the Ancient Mariner, for all I know). She may have no name.