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Whiskers

i’m Out.
goes thin —
echo In
a space of doubt.

In.
you about
me, push me Out
of me. skin

remains. Out —
wind twirls up my brains. (“won’t stay In!
or Out!”) skew In
me & Out —

— just let me Out,
just let me In.

Amid the seeming confusion of our mysterious world, individuals are so nicely adjusted to a system, and systems to one another and to a whole, that, by stepping aside for a moment, a man exposes himself to a fearful risk of losing his place forever....he may become, as it were, the Outcast of the Universe.


— Nathaniel Hawthorne, “Wakefield”

Clara

Brook and Jordan are playing a fun game.
I can pretend I’m in the game. Maybe
it’s boys and girls, and in kindergarten
they’re friends, and then in first grade they can’t talk
anymore, and in second grade they dance,
and later they get married, but I bet
that’s wrong ‘cause I didn’t hear Jordan right...
The Wanderer sees a circle of gold light.
The circle is a maze, which is in turn
the city where they all love, work, and learn.
Outside, he sinks in nothingness like night,

yet sinking, he avers, grants clearer sight:
the city’s walls alone burn ceaselessly
with golden flame, that none within may flee.
Within the walls lies nothingness like night.

Like us, she says, she stands within a ring,
but unlike us (she says) she looks outside
the chains within which all who live abide.
The rainbowed views beyond teach her to sing.

She does not say that all beyond the ring
has outlines, even though she sees them plain,
and that the outlines are just so much chain —
it’s from reflecting chain the rainbows spring.

Brook

How come Jordan has all the good ideas?
“Let’s be in an orphanage,” she said,
“in the tropical rainforest,
and the boys are coming and they have boy germs."

I have ideas, but they’re dumb,
and Jordan doesn’t listen to them.
Jordan says she won’t be my friend
if I say she doesn’t listen.

Mom said I try too hard
and I have to be myself first.

I think my self likes Jordan.
Jordan doesn’t like me, and then Mom said actually
she means you’re supposed to be strong
and not need people and then you have charisma
like a halo that makes everyone like you anyway

but if I try to not need them
I’m just like that weird girl Clara
who never plays with anyone.

Jordan

Need a story? Come right over. I have the best imagination
in the whole class. You’ll laugh
till you pee your pants.

The words put themselves together.
I don’t have to think, they just come.
It’s scary.
Brook or whoever giggles
and I think they’re secretly
like Dolly. Cloned sheep.
fifteen below and falling
cool smile   out
  blue lips last confetti
  blue ramparts of the mind
voices calling
across   the data expanse

lost souls   half-abstract the half-heard
    living
turned away with blue
rightness do not   reveal

the buzz of poisonous imps
she cannot get back inside her
blizzard’s fluorescent   mindlight
lets her   play rescuer

Alice

My friends loved me,
my teachers loved me,
my parents loved me very much.
They said, “I love you, Alice,”
directly and indirectly,
and they sent me to college,
where my professors loved me
and I met the man who loved me,
and we married and had children
who loved me.
I do not know if I loved anyone.
I do not know what love is.

I meant them well.
I wished them well.
I felt them beautiful,
and sometimes I wished to see them
when they were gone
or help them
when they were down,

but it was hollow.
It wasn't enough to be love.

When I died, they all told stories
about why they loved me
and what a loving person I was,
because I never told them I did not know how,
and if I had,
they would not have believed me.
I'm in my
house, out of your
yard. I'm in your
heart, out of my
mind. Find one blind
to in, to out,
to my, to your.
That's the kind
we envy but ignore.

Everybody's in our out?
Every
body's
out
&
in.
To walk the winding way and find the center
Is all she asks. This problem, though, she found:
To exit cannot be — how then to enter?

She loves the fountain, yes, cold shimmers lent her
By sun, but will wit bring her, dancing round,
To walk the winding way and find the center?

And, if, achieved, the center should decenter —
For all in hand is naught — her cry will sound:
“To exit cannot be — how then to enter?”

Untrusting, now, bereft of that which sent her
Happy round the turns, she still is bound
To walk the winding way and find the center.

“The truest labyrinth,” said some tormentor,
“Has one way only.” She is lost, aground:
To exit cannot be — how then to enter?

She finds, at last, the Daedalus, inventor
Of all. “I seek,” he says — does it astound —
“To walk the winding way and find the center
To exit cannot be — how then to enter?”

Think up a Merry Wanderer, not even resigned to but delighted by his fate, Dirty Rascal to Mary Poppins ' King of the Castle. He carries a basket of keys, hands them out to all he meets. If you ask him if he’s tried them out himself, you will get the most frustrating answers. Some of them, perhaps, here and there. Will he give you a key? Surely, take as many as you like.

And here is a puzzle on which you may try keys (those I’ve given you and any others you might happen to possess, not to mention lock picks): do the keys' doors lead In — or Out? Most probably George MacDonald, the author of the conversation that follows, has solved the puzzle, but he likes riddles even better than I (I would say most doors do both, in different senses, but I suspect he has a deeper answer than that! Surprise me, tell me what you discover!):

“I did not come through any door,” I rejoined.

“I saw you come through it! — saw you with my own ancient eyes!” asserted the raven, positively but not disrespectfully.

“I never saw any door!” I persisted.

“Of course not!” he returned; “all the doors you had yet seen — and you haven’t seen many — were doors in; here you came upon a door out! The strange thing to you,” he went on thoughtfully, “will be, that the more doors you go out of, the farther you get in!”

“Oblige me by telling me where I am.”

“That is impossible. You know nothing about whereness. The only way to come to know where you are is to begin to make yourself at home.”

“How am I to begin that where everything is so strange?”

“By doing something.”

“What?”

“Anything; and the sooner you begin the better! for until you are at home, you will find it as difficult to get out as it is to get in.”

“I have, unfortunately, found it too easy to get in; once out I shall not try again!”

“You have stumbled in, and may, possibly, stumble out again. Whether you have got in UNFORTUNATELY remains to be seen.”

“Do you never go out, sir?”

“When I please I do, but not often, or for long. Your world is such a half-baked sort of place, it is at once so childish and so self-satisfied — in fact, it is not sufficiently developed for an old raven — at your service!”

“Am I wrong, then, in presuming that a man is superior to a bird?”

“That is as it may be. We do not waste our intellects in generalising, but take man or bird as we find him. — I think it is now my turn to ask you a question!”

“You have the best of rights,” I replied, “in the fact that you CAN do so!”

“Well answered!” he rejoined. “Tell me, then, who you are — if you happen to know.”

“How should I help knowing? I am myself, and must know!”

“If you know you are yourself, you know that you are not somebody else; but do you know that you are yourself? Are you sure you are not your own father? — or, excuse me, your own fool? — Who are you, pray?”

I became at once aware that I could give him no notion of who I was. Indeed, who was I? It would be no answer to say I was who! Then I understood that I did not know myself, did not know what I was, had no grounds on which to determine that I was one and not another. As for the name I went by in my own world, I had forgotten it, and did not care to recall it, for it meant nothing, and what it might be was plainly of no consequence here. I had indeed almost forgotten that there it was a custom for everybody to have a name! So I held my peace, and it was my wisdom; for what should I say to a creature such as this raven, who saw through accident into entity?

“Look at me,” he said, “and tell me who I am.”

As he spoke, he turned his back, and instantly I knew him. He was no longer a raven, but a man above the middle height with a stoop, very thin, and wearing a long black tail-coat. Again he turned, and I saw him a raven.

Winter killed everything—say a Someone is dead and will never return, every mid-level executive and seahorse and primrose that ever died, and also the past in its entirety.

Winter is the time of sleep and dream, at least if you’re a bear...Say a Someone is asleep, Mother Nature or Sleeping Beauty. And we’re her dream, her mushy boring lifeless dream. Dreams are Out. She is In.

Though—I do not know if the Wanderer is a dream of the Sleeper or if the Sleeper is a metaphor for the Wanderer. I do not know that the two are mutually exclusive.

The Wanderer may be Jennie. She may be called Perdita (or the Ancient Mariner, for all I know). She may have no name.

If moon is silver to sun’s gold,
is snow winter’s proper silver?
No, snow is white, full purity,
no greed, for it gives back a sunlight
clean of yellow. White: death's hue —
light's, blended — pages', bare. Night's black
conceals white, does not consume,
till sun returns, and mud breaks down
the binaries of winter. Gray —
not even death, not even light,
not even absence — strives for silver
rain, drinks green from pigeons' backs.
Black’s type, death, pigments blended, lightless.
Gray is clouded eyes. Gray’s I.